This film is proof of a different kind of representation of Roma. The film affirms their artistic value and cooperation of Roma and Europe, based on respect for cultural differences. The film literalizes what Aime Cesaire, referring to a different context, termed as “neologistic” cultural politics – which is, a polyphonic tactic collage focusing on the “existence among fragments” conflating folkloric manifestations with alien forms and symbols. Subverting the classical fairytale of Little Red Hood the director draws a multi-linguistic psycho-genealogy of a people, the Roma (the only ones not to have had an army in the history of mankind!), constantly persecuted for their refusal to abide to the violent logic of feudal materialism that still rule our (un)civilised democracies.